Powerful conservation tech tools are gathering more data in the field than ever before. But without equally powerful and effective data management and processing tools, that data - no matter how groundbreaking or interesting - will not be able to reach its full potential for impact.
Data management can sometimes seem intimidating to conservationists, especially those just getting started in the world of conservation tech or experimenting with new data collection methods. While every community member's workflow and preferred data management and processing methods may be different, this group can serve as a resource to explore what works for others, share your own advice, and develop new strategies together.
Below are a few WILDLABS events dealing with datasets collected from various conservation tech tools:
Nicole Flores: How do I get started with Wildlife Insights?
Jamie Macaulay: How do I analyse large acoustic datasets using PAMGuard?
Sarah Davidson: Tools for Bio-logging Data in Conservation
Whatever conservation tech tools you work with, and whatever your preferred data management methods, we hope you'll find something helpful and effective in this group when you become a member!
Article
An update on Ceres Tags products that are being used in conservation
22 August 2022
Careers
Job opening at ARISE, an innovative program in the Netherlands to build a digital infrastructure for biodiversity data and services
19 August 2022
Are you creative, love new challenges and have experience developing software? The Wildlife Insights team is hiring! Join a diverse team of ecologists, data scientists, engineers and machine learning experts to protect...
10 August 2022
The Marine Robotics and Remote Sensing (MaRRS) Lab at Duke University seeks a highly motivated UAS pilot and geospatial analyst to support the ongoing development of new and existing research and conservation programs,...
10 August 2022
Smithsonian Conservation Biology Institute (SCBI) & International Fund for Houbara Conservation (IFHC)
22 July 2022
Article
Ceres Tag sends just in time alerts and GPS location to have the power to track and trace.
22 July 2022
The Earth Species Project (ESP) is a nonprofit organization dedicated to decoding animal communication and translating non-human language.
15 July 2022
Careers
Giraffe Conservation Foundation has now opened this opportunity to qualified candidates willing to work remotely. The position is desktop-based and the successful candidate can work from anywhere in the world to provide...
15 July 2022
This WhaleSeeker article discusses how reliable distribution data depends on accurate labelling from survey images, and how AI can improve this process.
13 July 2022
Two postdoc positions are now accepting applications for an NSF-funded project integrating data from museums, iNaturalist, and camera trapping data from the Snapshot USA annual survey.
11 July 2022
WHOI is establishing an Imaging Technology Laboratory (ITL) & seeks a senior technical leader to lead the initiative. The primary goal of the ITL is to create a center of excellence to serve the technical imaging...
11 July 2022
The NCEAS invites applications for a temporary Data Fellow to engage in data science projects relating to environmental science in deserts of California. These projects will include assisting in the organization &...
9 July 2022
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5 February 2021 7:16pm
Dan's comments about the need for technologists and conservationists to manage and share (properly annotated) data struck a chord with me, it was right at the end of the presentation.
I fired off a point into the chat "could your old background data be my background data?" or something similar, and it got me thinking...
(Firstly, sorry for clouding this issue with my simultaneous "Ian Tuna" joke)
In the context of using AI as described in EdgeImpulse example, lets say - audio.
Lets say Group A are trying to detect the roar of lions, and Group B are trying to detect the grunt of wild pigs, and lets imagine that is in roughly the same area of Africa. I mean they could both send out teams to capture the sound of their target animal, and the sound of NOT their target animal, e.g everything else.
Well if "serengetti sounds" was a known audio track, then all you need is the unique sound of the beast in question, am I right?