Powerful conservation tech tools are gathering more data in the field than ever before. But without equally powerful and effective data management and processing tools, that data - no matter how groundbreaking or interesting - will not be able to reach its full potential for impact.
Data management can sometimes seem intimidating to conservationists, especially those just getting started in the world of conservation tech or experimenting with new data collection methods. While every community member's workflow and preferred data management and processing methods may be different, this group can serve as a resource to explore what works for others, share your own advice, and develop new strategies together.
Below are a few WILDLABS events dealing with datasets collected from various conservation tech tools:
Nicole Flores: How do I get started with Wildlife Insights?
Jamie Macaulay: How do I analyse large acoustic datasets using PAMGuard?
Sarah Davidson: Tools for Bio-logging Data in Conservation
Whatever conservation tech tools you work with, and whatever your preferred data management methods, we hope you'll find something helpful and effective in this group when you become a member!
Do you have photos and videos of your conservation tech work? We want to include them in a conservation technology showcase video
17 May 2024
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Read in detail about how to use The Inventory, our new living directory of conservation technology tools, organisations, and R&D projects.
1 May 2024
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The Inventory is your one-stop shop for conservation technology tools, organisations, and R&D projects. Start contributing to it now!
1 May 2024
Technology to End the Sixth Mass Extinction. Salary: $132 - $160k; Location: Seattle WA; 7+ years of experience in hardware product development and manufacturing; View post for full job description
1 May 2024
Review by Professor Iain H Woodhouse
29 April 2024
The incumbent will develop models and metrics that can be used to shape conservation policy using multiple data sources including camera traps, movement data and citizen science concerning the diversity and...
23 April 2024
Are you passionate about wildlife conservation and eager to contribute to meaningful research efforts? Lion Landscapes is seeking a dedicated and proactive Research Assistant to join their team.
11 April 2024
Space for Giants is looking for a Conservation Science Intern to help support the Conservation Science team in managing data flow, storage, and analysis to maximize the efficiency of monitoring and evaluating impact.
9 April 2024
In a recent publication we tested Underwater Passive Acoustic Monitoring (UPAM) as a feasible non-invasive technique to study the calling behavior of therathened aquatic Andean frogs under natural conditions in the...
6 April 2024
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You’re invited to the WILDLABS Variety Hour, a monthly event that connects you to conservation tech's most exciting projects, research, and ideas. We can't wait to bring you a whole new season of speakers and...
22 March 2024
SMART Global Congress, the first global gathering of conservation professionals using SMART, was held in Windhoek, Namibia from March 10-13. Here is a snapshot of what we learned!
19 March 2024
Join our multi-national team at the AI for Biodiversity Change Global Climate Center! We're hiring a Research Data Manager & Tech Coordinator at Ohio State. Support cutting-edge research on climate change &...
15 March 2024
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5 February 2021 7:16pm
Dan's comments about the need for technologists and conservationists to manage and share (properly annotated) data struck a chord with me, it was right at the end of the presentation.
I fired off a point into the chat "could your old background data be my background data?" or something similar, and it got me thinking...
(Firstly, sorry for clouding this issue with my simultaneous "Ian Tuna" joke)
In the context of using AI as described in EdgeImpulse example, lets say - audio.
Lets say Group A are trying to detect the roar of lions, and Group B are trying to detect the grunt of wild pigs, and lets imagine that is in roughly the same area of Africa. I mean they could both send out teams to capture the sound of their target animal, and the sound of NOT their target animal, e.g everything else.
Well if "serengetti sounds" was a known audio track, then all you need is the unique sound of the beast in question, am I right?